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Culture of Empathy Builder:   Dee Reynolds

 

 Dee Reynolds & Edwin Rutsch: How to Build a Culture of Empathy with Kinesthetic Empathy

Dee Reynolds is professor of French at the University of Manchester. She is editor/author of, among other books, Kinesthetic Empathy in Creative and Cultural Practices.   A key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability to experience empathy merely by observing the movements of another human being. 

Dee is a founder of the 'Watching Dance: Kinesthetic Empathy' project that uses audience research and neuroscience to explore how dance spectators respond to and identify with dance. It is a multidisciplinary project, involving collaboration across organizations and four institutions. The project has a website, Ning group and held a conference.
Sub Conference: Arts

 

 

 

 

Transcripts

  • 00:00 Introduction

  • (transcription pending)

  • (Video Transcriptions: If you would like to take empathic action and create a transcription of this video, check the volunteers page.  The transcriptions will make it easier for other viewers to quickly see the content of this video.)



 

 Kinesthetic Empathy in Creative and Cultural Practices

Acknowledgements
Foreword
      Amelia Jones
Introduction
      Dee Reynolds and Matthew Reason

Part I: Mirroring Movements: Empathy and Social Interactions

Introduction
     Dee Reynolds
1. Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance
      Nicola Shaughnessy
2. Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy
      Bonnie Meekums
3. Affective Responses to Everyday Actions
      Amy E. Hayes and Steven P. Tipper


Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity

Introduction
      Dee Reynolds
4. Cinematic Empathy: Spectator Involvement in the Film Experience
      Adriano D'Aloia
5. Musical Group Interaction, Intersubjectivity and Merged Subjectivity
      Tal-Chen Rabinowitch, Ian Cross and Pamela Burnard
6. Kinesthetic Empathy and the Dance's Body: From Emotion to Affect
      Dee Reynolds


Part III: Kinesthetic Impact: Performance and Embodied Engagement

Introduction
      Matthew Reason
7. Kinesthetic Empathy in Charlie Chaplin's Silent Films
      Guillemette Bolens
8. Effort and Empathy: Engaging with Film Performance
      Lucy Fife Donaldson
9. Breaking the Distance: Empathy and Ethical Awareness in Performance
      Rose Parekh-Gaihede


Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research

Introduction
      Matthew Reason
10. Re-Thinking Stillness: Empathetic Experiences of Stillness in Performance and Sculpture
      Victoria Gray
11. Empathy and Exchange: Audience Experiences of Scenography
      Joslin McKinney
12. Photography and the Representation of Kinesthetic Empathy
      Matthew Reason, with photographs by Chris Nash


Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments

Introduction
      Dee Reynolds
13. The Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies
      Sarah Whatley
14. Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy
      Brian Knoth
15. Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive Sports Equipment
      Maiken Hillerup Fogtmann

Conclusion
      Dee Reynolds and Matthew Reason
Notes on Contributors
Index